winter

Midwinter Musings: The Importance of the Solstice to the Night Photographer

Happy winter solstice to you!

Historically the winter solstice welcomes the beginning of winter, and it’s the shortest day and the longest night of the year.

It occurs when one of the earth’s poles is at its maximum tilt away from the sun. At and near the pole, there is continual darkness or twilight during the winter solstice—the exact opposite of summer solstice when inside the polar circles you can witness the midnight sun. In the Southern Hemisphere the winter solstice generally falls on June 20 or 21, and in the Northern Hemisphere on December 21 or 22. This year, it’s the 21st!

Winter Solstice Celebrations

The winter solstice (or, “midwinter”) has been celebrated and observed in many ways by humankind since as early as the end of the Stone Age (around 10,000 B.C.).

One of the most famous prehistoric monuments to the winter solstice is Newgrange in Ireland. Built in 3200 B.C., its opening perfectly aligns with the midwinter sunrise. For 17 minutes the sun shines directly down a long passage and illuminates the inner chamber to reveal carvings inside, including the most famous Irish megalithic symbol, the Tri-Spiral.

Newgrange and the Tri-Spiral at sunrise of the winter solstice. Photo CC Ken Williams.

And of course one of the most famous landmarks in the United Kingdom is Stonehenge, constructed between 3000 and 2000 B.C. The monument is aligned to the movements of the sun—or, more precisely, to the winter and summer solstices.

Many other monuments and celebrations exist and have existed throughout history. Great feasts and rituals have long been held on the winter solstice all over the world. Fires and lights are universal symbols of these celebrations. Some examples:

  • Dong Zhi, which means “winter arrives,” is the Chinese observance of the winter solstice, Like many solstice celebrations, it started as a harvest festival. Families continue to come together and feast, to share well-wishes, and to celebrate the increase of positive energy for the year to come.

  • St. Lucia Day, celebrated in Scandinavian countries, is meant to bring hope and light during the darkest time of the year.

  • During Toji in Japan, people create massive bonfires on Mount Fuji to encourage the sun’s return and to focus on healing and good health.

  • Persians have celebrated Shab-e Yalda, the “rebirth of the sun,” for centuries. It marks the longest night and the return of longer daylight hours. Fires were built at sundown and were continually stoked to last until the first rays of the next day. The celebration included food and song, as well as tales of the great battle of the sun god Mithra triumphing over darkness. 

  • The Hopi of northern Arizona have celebrated the kachina dance during the winter solstice for over a millennium. The Soyal ceremony begins on the shortest day of the year and can last for up to 16 days. Dancing and sacred rituals focus on a plan of life in the coming year and celebrate turning back the sun toward the summer path.

What About Night Photographers?

For a night photographer, the winter solstice and the winter months are natural to celebrate, because they make for great night-shooting opportunities. Earlier and longer nights mean that even those of us who live in middle latitudes can start photographing as early as 4 or 5 p.m. We can still log a productive night’s work and be home for a cup of tea by 10!

Of course, many photographers hibernate when the weather turns cold. The galactic core of the Milky Way is not visible for most of the winter months in the Northern Hemisphere. Colder temperatures don’t inspire us to venture outside as much. But we need to celebrate and seize these winter months! (I wrote about this a few years ago in a post titled “Be Out in the Cold: Why Winter is Great for Night Photography.”)

First, of course, snow happens in winter! That soft, white blanket on a scene can make for truly inspiriting astro-landscape photos.

The mountain Skottinden looming over the snowy landscape of Ballstad, Norway. Hasselblad X1D II 50C with a Hassellblad 21mm f/4 XCD lens. 11 seconds, f/5.6, ISO 400.

Auroras happen year-round, but are much more visible during the darker months. (For more on photographing this dynamic feature of the night, see our previous blog posts “How to Photograph the Aurora Borealis” and “8 Illuminating Tips for Photographing Auroras.”)

Aurora over abandoned boat in Djúpavík, Westfjords, Iceland. Nikon D750 with a Nikon 14-24mm f/2.8 lens. 10 seconds, f/2.8, ISO 6400.

The moon can be our friend during the long winter months—you might be familiar with the lunar halo, or moon ring, which is caused by moonlight refracting, reflecting and dispersing as it passes through high-altitude ice particles and thin cirrus or cirrostratus clouds.

Lunar Halo over the Owens Valley Radio Observatory in California. This can be a common appearance in the winter, and according to folklore is a precursor to impending stormy weather. Nikon Z 7 with Nikon Z 14-30mm f/4 lens at 14mm. 15 seconds, f/5.6, ISO 800.

When the air gets even colder, the natural phenomenon known as light pillars can be another magical experience to capture during winter months.

Wait, There’s More!

If all that isn’t enough, the 2020 winter solstice will be an especially momentous one for the night photographer. For the first time in almost 800 years, we will witness the “great conjunction,” when Jupiter and Saturn, as seen from Earth, move together to be separated by only 0.1 degree. This will be visible from around the globe (weather permitting) in the western twilight sky. Both planets are very bright to the naked eye on their own, but if they were to join, what an amazing beacon that would be!

Composite of Saturn and Jupiter images. Both images courtesy of NASA.

Many of the news agencies are calling this the return of the “Star of Bethlehem” or “Christmas Star,” as history does show that in 7 B.C. a similar great conjunction happened three times in 8 months.

What will it look like for us? Will the planets form a superstar in the sky? It’s hard to say, as this phenomenon has never been photographed before. When asked about this, EarthSky’s lead sky writer Bruce McClure commented:

“I do not know for certain, but I doubt it. I’m guessing people with decent vision will view Jupiter and Saturn as two distinct points of light. Part of the fun is to wait and see. Remember that people with good vision can see Venus as a crescent with the eye alone when its angular diameter is one minute of arc or larger. At their closest, the angular separation between Jupiter and Saturn will be six times that distance: 6 minutes of arc.”

You might be getting a sense of the effect already, though, if you’ve had a clear twilight recently. Since December 16, the planets have been inching closer, and a lot of stargazers and photographers have been watching and shooting.

The 0.1-degree conjunction will happen on Monday, December 21—the winter solstice! It will last for about an hour after sunset—so get out there early and find a clear horizon to the west. Then, of course, stay out and continue to shoot!

The Solstice Shoot

As night photographers, let’s make sure we do two things:

First, remember that this is a special celestial event that the whole world can witness and share—let’s go out and celebrate this winter solstice! We’d love to see your interpretations of the great conjunction. You’ll definitely want to capture them as “star points,” but perhaps a superclose double star trail would be stellar too. Whatever you do—share your images and make sure to tag #nationalparksatnight.

Second, let’s continue this new night photography tradition of shooting during the winter solstice from now on. This is our longest night—let’s make sure to seize it!

Gabriel Biderman is a partner and workshop leader with National Parks at Night. He is a Brooklyn-based fine art and travel photographer, and author of Night Photography: From Snapshots to Great Shots (Peachpit, 2014). During the daytime hours you'll often find Gabe at one of many photo events around the world working for B&H Photo’s road marketing team. See his portfolio and workshop lineup at www.ruinism.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Be Out in the Cold: Why Winter is Great for Night Photography

'Tis the season to photograph at night!

There is a reason we call it a winter wonderland. Snow can cover the world as we know it and turn it into something white, pure and surreal.

Most of us dread snow, as it can become a deterrent to get from point A to B. But remember, it was only a few years ago that we would dream of winter weather cancelling our schools so we could stay home and create people, igloos and all sorts of fantastical things in the snow and ice. There has been a recent uptick in ice castles made by farmers, ski resorts and cold-region locals who for one or two months during the winter open these spectacular ice worlds that are often lit up at night!

So as we get ready to celebrate the longest night of the year, I wanted to share some tips to hopefully inspire you to bundle up and create some wonderful winter wonderland images.

This was taken of a kota, or warm hut, in the Lapland region of Finland. I passed by this perfect scene a few times, but when I saw the animal’s footprint in the fresh snow I ran and grabbed the gear. I shot at a low angle to emphasize the footprint…

This was taken of a kota, or warm hut, in the Lapland region of Finland. I passed by this perfect scene a few times, but when I saw the animal’s footprint in the fresh snow I ran and grabbed the gear. I shot at a low angle to emphasize the footprint and make the hut seem a little larger than life.

1. Find a new way to photograph the holiday lights

If you drive or walk around your neighborhood, you’ll see lots of outdoor lights covering the many streets and houses. These can be fairly simple to photograph, especially when they are also under the streetlights, but try to find a new way to interpret them.

With your camera on a tripod, zoom your lens during the exposure to add motion, or perhaps go in close for a detail shot that throws the rest of the scene out of focus. The holiday lights that hang across the streets look better when we have car trails going through them. Places like Rockefeller Square in New York City can be difficult to shoot because of the mass amounts of people—good luck setting up a tripod! Look instead for quieter, neighborhood scenes that also epitomize the holiday cheer.

In an age when people can certainly overdo the holiday lights, I really was drawn to the simplicity of the paper bag luminarias that this house put out. I shot low and angled myself so the full moon was casting the dramatic shadow of the trees towar…

In an age when people can certainly overdo the holiday lights, I really was drawn to the simplicity of the paper bag luminarias that this house put out. I shot low and angled myself so the full moon was casting the dramatic shadow of the trees toward me.)

2. Get out there and play in the snow!

I still act like a kid when I see snowflakes falling. I can’t sled as fast as I used to but the snow adds such an added dimension to both day and night images—you have to shoot it!

Obviously be careful with your gear if you are shooting while it is snowing. Either have an umbrella or a camera/lens wrap with you to protect your equipment from getting too wet.

A few ideas:

  • If the snow isn’t blowing too badly, shoot under an awning of a house that offers protection. Set up a time-lapse that shows the snow accumulating around the environs.
  • Try to freeze the snow with flash as well as play with shorter exposures like 1/4-second to 2 seconds to create more confetti-like snow.
  • Once the snow stops falling, head out to the park ASAP to try to capture some pristine snow -covered scenes. That fresh snow can add white-sand-dune-like surreality to an otherwise normal place. Shoot at a low angle to emphasize that rolling blanket of snow.
  • Look for animal or human footprints and compose them to tell more of a story.
  • Remember to overexpose by 1 to 1 1/2 stops to properly capture the white snow—otherwise our camera meters will turn the snow gray.
One of my all-time favorite snow scenes. Shot with a point-and-shoot camera as I came out of the subway in NYC. I stayed under the awning and leaned against the wall, turning myself into a tripod. I put the camera on burst mode and shot exposures be…

One of my all-time favorite snow scenes. Shot with a point-and-shoot camera as I came out of the subway in NYC. I stayed under the awning and leaned against the wall, turning myself into a tripod. I put the camera on burst mode and shot exposures between 1/4-second and 1 second. Of the 50-plus frames I took, 6 or 7 were sharp enough to use, with this one being the winner. The person and the umbrella became the final pieces to the composition.

3. Be more productive

The biggest reason I love the winter is because I can start shooting night scenes earlier and still go to bed at a reasonable time! With the sun setting around 5 p.m. for most of the continental United States, you can skip out of work early and do a quick 1- to 2-hour shoot and still be home for dinner with the family!

Or plan longer/weekend shoots with friends where you can really take advantage of the time. If you are comfortable with your night skills, bring two kits and be incredibly productive in the field! The ultimate would be to visit Alaska between December and February and have 20 hours of night photography per day!

I went out to Central Park with Chris Nicholson last year after the NYC blizzard. It was hard to find many snow scenes that weren’t walked through but I loved this classic shot of the San Remo building reinterpreted with the trodden snow, blowing cl…

I went out to Central Park with Chris Nicholson last year after the NYC blizzard. It was hard to find many snow scenes that weren’t walked through but I loved this classic shot of the San Remo building reinterpreted with the trodden snow, blowing clouds and city night lights. And we were both home in plenty of time to get a full night's sleep!

4. Keep warm and safe

The No. 1 reason most people don’t like to photograph in the winter is the cold. Add the cooler nighttime temperatures and you have nixed probably 80 percent of photographers, if not more.

But shooting in winter doesn’t need to be a physically miserable experience. Bundle up with layers, and wear wool instead of cotton.  The former will wick the sweat off your body. I’m a big fan of Smartwool products, especially for socks and a base layer.

Also, protect extremities like your feet and fingers—they get colder first. We just started using these amazing new Vallerret photography gloves. They are made in Norway and have a pocket to place hand warmers to ensure you can keep on clicking no matter what the temperature!

Whatever gloves you use, bring several hand warmers that you can put inside for added warmth.

Boots that have a great tread are also important. You don’t want to slip on ice and take a spill. Walk carefully and use your tripod as a walking stick if need be—without the camera on it of course! And if you’ll be working around a lot of ice, Chris Nicholson swears by Ice Trekkers to keep you on your feet and your gear off the ground.

5. Experience the northern lights!

Summers have lighting storms and tumultuous thunderstorms, but the most spiritual and jaw-dropping weather phenomenon to photograph are the aurora borealis, or northern lights. It’s definitely on most people’s “bucket list,” and rightly so!

However, the northern lights are difficult to predict and of course generally located in the colder regions of the Arctic Circle. Alaska is probably the easiest location for most Americans to find the phenomenon, but you’ll still want to travel a good distance from Anchorage to really experience them at their best.

I’m a big fan of the northern Scandinavian region that includes Norway, Sweden and Finland. The fjords and Lofoten Islands in Norway offer incredible landscapes and water for the northern lights to reflect and bounce off. Don’t forget the trending glass igloos where you can stay indoors and watch the dancing green fairies in the comfort of your bed all night long!

Iceland is a close second and definitely has plenty of epic landscapes, but because it is located on the Gulf Stream, a lot of weather and clouds can cover the night skies. The Arctic Circle has fewer weather patterns and offers a reliable amount of crisp and clear nights throughout the winter months.

A big misnomer about the auroras is that they can be photographed only during a new moon. In reality, the lights are definitely bright enough to shoot and see under a full moon, plus you get the benefit of the moon lighting your foreground! If you shoot the auroras only under a new moon, you will have a lot of the same shots—silhouetted foregrounds and vibrant northern lights. I’d rather shoot during a partial moon—so I get some silhouettes, some light painting and some moonlit scenes at different times of the night.

The full moon rising with the aurora borealis dancing all around it—proof that you can shoot the northern lights during a full moon. ‘Nuff said.

The full moon rising with the aurora borealis dancing all around it—proof that you can shoot the northern lights during a full moon. ‘Nuff said.

So throw another log on the fire and layer up for a productive winter wonderland. And remember, there’s a bonus; This is the best season to enjoy a cup of hot chocolate after a long night out exploring!

Gabriel Biderman is a Brooklyn-based fine art and travel photographer, and author of Night Photography: From Snapshots to Great Shots (Peachpit, 2014). During the daytime hours you'll often find Gabe at one of many photo events around the world working for B&H Photo’s road marketing team. See his portfolio and workshop lineup at www.ruinism.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT