The Night Photographer's Guide to Star Stacking (Part III)

Note: This is the third in a three-part series about creating star trails with the stacking technique. Part I covered how to shoot the raw materials. Part II demonstrated how to edit the individual frames in Lightroom and Photoshop to create the star trail stack. In Part III, below, Tim explains how to clean up artifacts that can occur when combining these images in Photoshop.


This is the third and final installation of our three-part guide to star trail stacking. We hope you have enjoyed the series so far. For those of you who didnโ€™t catch Part I and Part II, we recommend reading those blog posts before you jump in here, so that you are up to speed with the capture and initial processing steps.

This method of creating star trail images is versatile and comes with many advantages, but it can also result in artifacts that need to be corrected in order to create a polished final imageโ€”things such as plane trails and stray light, which can appear on individual frames during capture.

Star trails over Animas Forks, Colorado. Nikon Z 6II with a Nikon Z 14-24mm f/2.8 S lens at 15mm. 17 stacked frames shot at 4 minutes, f/2.8, ISO 640.

While the fact that these artifacts exist at all might make you question whether to use this technique to begin with, the opposite is true: These problems can appear in any long exposure of the night sky, and the stacking technique gives you more power to remove them in a way that doesnโ€™t harm your final image.

Indeed, that we can remove common artifacts from individual layers is a great reason to choose the technique of shooting multiple shorter exposures and stacking them together in Photoshop rather than shooting one long exposure.

In This Video

In the following video Iโ€™ll cover:

  • exporting your images from Lightroom into Photoshop

  • changing blending modes to create the initial star trail composite

  • identifying and working on individual layers

  • removing plane trails from individual layers using the Spot Healing Brush

  • the difference between layers and masks

  • creating layer masks and using the paintbrush to remove unwanted items that appear on individual frames

  • using selections to remove unwanted items that appear on individual frames

  • streamlining the editing process by grouping layers

  • using color labels to mark important layers

  • when to flatten your image and when to retain the layers

  • creating a composite layer to enable edits that canโ€™t be done to multiple layers

  • renaming your Lightroom files to reflect the fileโ€™s status

Your Turn

Have you been creating star trail images using the stacking technique? Weโ€™d love to see your photos! Share in the comments below, or on our Facebook page, or on Instagram (tag us @nationalparksatnight #nationalparksatnight #seizethenight).

Tim Cooper is a partner and workshop leader with National Parks at Night. Learn more techniques from his book The Magic of Light Painting, available from Peachpit.

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