Lighting

Ledlenser P6R Work: A Pro-Level Lighting Tool

Ledlenser P6R Work Flashlight

The Problem

Many night photographers have lately moved toward Low-level Landscape Lighting, but there are still times when traditional light painting with a flashlight is advantageous. The greatest challenge is that most flashlights are far too bright for light painting at the high ISOs used for astro-landscape photography. Flashlights with multiple brightness settings usually switch on at the brightest setting and have to be cycled through to get to low power, which greatly diminishes their usability.

The Solution

The Ledlenser P6R Work addresses both of those problems and some others in this pro-level lighting tool.

The flashlight has four brightness levels and four flashing modes, but can be programmed to disable unwanted or unused modes, making for a much more user-friendly experience.

The low mode of 15 lumens is still a bit bright for lighting nearby objects when shooting at high ISOs, but the bezel unscrews and a piece of neutral density gel can be placed inside and out of the way. Even with an ND gel in place, the high and boost modes are bright enough that you are unlikely to need another light in your kit.

The P6R Work also remembers the last mode you used, which is super helpful for light painting, when you’re turning the light on and off between trial exposures, and while honing an approach.

The light zooms from broad to spot beam with consistent brightness across the spread, and it uses a proprietary rechargeable battery. It also has an unusually high CRI (color rendering index) of 90 and a color temperature of 4000 K, making it a great choice for light painting pleasing with tones on starlit or moonlit foregrounds.

The Breakdown

Hanging Rock, Sequoia National Park. Nikon D780 with a Sigma 24mm f/1.4 Art lens, light painted with a Ledlenser P6R Work flashlight. 20 seconds, f/3.2, ISO 6400.

When This is Not the Right Tool

Though the P6R Work is not overly large or heavy, the head of the light is wider than the body, making it slightly bulky and awkward to pack.

It’s also not a low-budget option—it’s relatively (though justifiably) expensive for a flashlight.

When This is the Right Tool

The P6R Work is a versatile all-around flashlight that can be customized to suit the photographer’s needs, making it a great go-to light for any night photography situation. This has become my primary flashlight.


Coast HP7R: A Serious Light Painting Tool

HP7R Flashlight

The Problem

While technically you can light paint with any ol’ flashlights off the shelf, they’re not all equal for the task. Most flashlights fail in these regards:

  • Their color temperature is “off”—usually too cool for the white balances we use in night photography, and sometimes just too weird-looking at any white balance.

  • They’re too broad and diffused to be useful for lighting anything that’s not close.

  • They have a hot spot in the center of the beam, which makes it hard to focus the light where you want.

The Solution

The Coast HP7R is a professional-grade solution to many light painting issues.

Its LED-technology color temperature is very close to Daylight, which makes it easy to control how it looks no matter your white balance. Shooting at Daylight white balance? Use it as is. Shooting at a warmer white balance? Use it as-is for a cool effect, or use the optional LF100 filter holder to add a gel to warm it up a bit. (For instructions on the latter technique, see our Flashlight Filtration Guide e-book.)

The beam itself is either broad and diffused or tight and intense, whichever you want—because the flashlight has both high- and low-power modes (300 and 30 lumens, respectively), as well as a brilliant slide-focusing mechanism built into the lens casing. When zoomed out, there’s no hot spot—the illumination is equal from one edge of the beam to the next, which makes it very easy to control how much light you’re adding to elements of your composition.

Moreover, the HP7R is built solid—very solid. It’s impact-resistant and water-resistant, features a nearly unbreakable LED, and has an anti-roll protrusion on the barrel that keeps it from wandering down a slope. While you can insert four AAA alkalines, it comes with its own Zithion-X lithium ion battery that you can recharge without even removing it from the flashlight.

The Breakdown

The Grandstand, Death Valley National Park. Photographed with three Coast HP7R flashlights—one from each side, and one in the middle pointing to the sky. Nikon D5 with an Irix 15mm f/4 lens. 25 seconds, f/2.8, ISO 6400.

When This is not the Right Tool

If you’re looking to light something close to the camera at a high ISO (say, 6400), then the HP7R is just too intense to control well. In those cases, look for something with very dim illumination, such as a panel light that can be dialed way down (e.g., the Luxli Fiddle).

At 7.2 ounces, the HP7R is also slightly hefty for a flashlight—not enough to be a burden in most situations, but this might not be the flashlight you’d want for backpacking. For a similar flashlight in a lighter profile, check out the Coast HP5R.

When This is the Right Tool

The HP7R is perfect for light painting large or far-away subjects, or for when you’re working at lower ISOs (say, 100 to 800). If I’m carrying just one flashlight, this is the one.


UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT